The "Sanctus de Lourdes" (A 168) is a popular liturgical chant composed by Jean-Paul Lécot, specifically recognized for its use at the Sanctuary of Our Lady of Lourdes. It is frequently sung in both French and Latin. Top Partition/Sheet Music Resources
She turned to Émile. “Stand next to him.”
Versatility: It sounds equally beautiful with a grand pipe organ or a simple acoustic guitar. Top Sheet Music Versions (Partitions) sanctus de lourdes partition top
With the gatherings, other things shifted. A pothole in the lane was filled; the town’s bell was oiled and rang truer. Ana, who had never told anyone about her frightened, perfect voice, began to learn the harmonium’s counterpoint and, one evening, sang a solo that stopped the rain short. Farmers who had not attended mass in years returned sometimes with bread or with eggs, and left them on the chapel step as offerings for Marguerite’s seat. Éloi found himself speaking to people he had not spoken to since his childhood; names returned to him like found coins.
The composition is most commonly arranged for SATB choir (Soprano, Alto, Tenor, Bass) and organ. The "Sanctus de Lourdes" (A 168) is a
Instrumental Accompaniment: While primarily organ-based, some scores include parts for trumpet to add a celebratory fanfare effect. Where to Find Partitions
Instrumental Accompaniment: Frequently includes parts for organ and a "contrechant" (descant) for trumpet. Performance and Sheet Music Sources “Stand next to him
From that day forward, the Sanctus de Lourdes, with its resplendent partition top, became a beacon of faith, a testament to the power of art and devotion to transcend the boundaries between heaven and earth.
Refrain (French): "Dieu saint, Dieu fort, Dieu immortel, béni soit ton Nom! Ciel et terre sont remplis de ta gloire!".